Doom Scrolling

Apple (The Peasants Fight Back), 2025, Dry-Point Etching on Tablet, 24x18.5 cm

Motorola (Enrolling The Troops), 2025, Dry-Point Etching on Tablet, 24.5x16.5 cm

Lenovo (The Raid), 2025, Dry-Point Etching on Tablet, 26x17 cm

Samsung (Looting and Burning A Village), 2025, Dry-Point Etching on Screen, 36.5x23 cm

Samsung (Elsa), 2025, Dry-Point Etching on Tablet, Found Stickers, 12x19 cm

Zenix (The Battle), 2025, Dry-Point Etching on Tablet, 46x34x7 cm

HP (Firing Squad), 2025, Dry-Point Etching on Screen, Video In Loop, 35.5x26 cm

Tablets and screens engraved, variable dimensions, 2025

In collaboration with Vasilis Galanis

In 1633, the printmaker Jacques Callot published The Great Miseries and Misfortunes of War, a suite of eighteen etchings that captured the brutality of the Thirty Years’ War. Centuries later, in 1999, Microsoft released Age of Empires II: The Age of Kings, a real-time strategy game that transformed medieval conquest into one of the most iconic digital experiences of its era.

Doom-Scrolling brings these two worlds into dialogue. This ongoing series consists of engraved tablets, laptops and other contemporary screens, each piece reimagining one of Callot’s etchings within the visual and narrative universe of Age of Empires II. The project explores how representations of conflict migrate across time—from historical print to digital play to the devices we scroll every day.

Initiated and documented at the Eaxo residency in Stavros, Crete.